“Carry On, Jeeves” by P. G. Wodehouse (1925)

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“Now, touching this business of old Jeeves – my man, you know – how do we stand?”

Literature is full of iconic pairings. Benedick and Beatrice, Elizabeth and Darcy, Holmes and Watson, Poirot and Hastings, Thursday and Landen – all of them at their best when with one another. Jeeves and Wooster, however, are a cut above the others, having a symbiotic relationship that is for all time. It’s not a romance, and it’s not even really a friendship – this is a relationship drawn on professional lines – yet they stand together with loyalty and respect nonetheless.

Here are ten early stories about one of fiction’s greatest pairings, starting with the moment Jeeves walks into Bertie’s life and cures his hangover with a drink of his own invention. From that moment on, Bertie cannot live without Jeeves. Throughout these stories, Bertie finds himself in many a pickle, as do many of his friends including Sippy, Bingo, Bicky and Corky, and with little intellect of their own, they must routinely ask Jeeves for help. Jeeves, to his credit, always knows what to do and can always solve the problem thanks to his intelligence, wisdom, and a huge number of contacts with whom he is always in communication with. There are, as ever, a huge collection of overbearing aunts and dangerous misunderstandings in here too, and we even get to see Bertie out of his native England, with some the stories taking place in New York and one in Paris.

The collection also contains “Bertie Changes His Mind”, the only time that Jeeves himself narrates the story. It’s really funny to see things from the other side, as we get to see Jeeves as not just being an almost supernaturally good valet, but actually being incredibly manipulative, if always for a good cause. He does seem to genuinely like Bertie, and his actions are always for his own good, whether that be discouraging him from taking in children to liven up the house, or getting rid of his purple socks.

As ever, the stories are charmingly hilarious and while Bertie would probably begin to grate after a while if I knew him in real life, on the page he’s a delight. Completely able to accept that he’s a bit of a “chump” and lacking in imagination and brain power, he knows that he wouldn’t be able to cope without Jeeves. In one story, he finds himself without him for a while and realises that some men don’t have a “gentleman’s gentleman”. He genuinely can’t see how they could manage.

Jeeves and Wooster are a dynamite pairing, and each would be lost without the other. I’m still fairly new to the series and am enjoying dipping in to the back catalogue, but they are books to be enjoyed sparingly like a good glass of port at the end of the day, not knocked back like cheap vodka shots. Wodehouse is one of the few writers that can make me genuinely laugh out loud, and it’s always a delight to spend some time in the company of his characters.

Blissfully silly stuff.

Did you know that as well as reviewing everything I read, I also write novels, too? My books blend black humour with light horror, crossing genres with ordinary characters dealing with extraordinary circumstances. Head over to wherever you buy books to take a look at my two offerings. The first, The Atomic Blood-stained Bus, introduces you to a cannibal, an ex-god and the last witches of Britain, while the second, The Third Wheel, follows a man who is tired of being single while all his friends get married, but has a change of priority when aliens invade the planet. I hope you enjoy!

“Wake Up, Sir!” by Jonathan Ames (2005)

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“‘Wake up, sir. Wake up,’ said Jeeves.”

Despite, according to some, giving off the air of a man who appears to have fallen out of a Jeeves & Wooster novel, I have very little experience with P. G. Wodehouse. I’ve only read one of the novels, and just haven’t got round to getting anymore done. I’ll count this as an attempt though. Set in nineties New Jersey, this novel takes the concept and updates it, turning Bertie Wooster from a British aristocrat to Alan Blair, a Jewish American alcoholic novelist.

Alan Blair is, at novel’s opening, living with his aunt and uncle due to money issues and the fact his parents are long dead. However, they are tiring of his antics and wish him to go to rehab. Instead, Blair decides to head off to New York state to find a Jewish community to spend his time with. He is accompanied by his valet, Jeeves, who is detached enough from Blair’s mistakes to serve as the perfect butler. Intelligent, capable and just like his Wodehouse counterpart, the most competent man alive.

While seeking out like-minded company, however, Blair gets drunk again and ends up insulting a local woman, resulting in two black eyes and a broken nose. He also learns that he has been accepted to the Rose Colony, an artists’ retreat where he can work on his novel in peace with fellow creatives around him. Arriving, he finds that drinking is all but encouraged, so his plans to stay on the wagon are quickly dashed, and things become even more complicated when he falls in love with a sculptor called Ava, and determines that she is the woman of his dreams – all because she has the most incredible nose.

Blair is fundamentally an unreliable narrator, thanks mostly to his alcoholism. Indeed, it takes many pages before we even learn that he is an alcoholic, as he manages to omit the fact he drinks until it’s absolutely necessary to bring up in the plot. He’s a foolish man who doesn’t know when to stop drinking, meaning every so often he entirely blacks out and has no memory of events. He obviously thinks very highly of himself and regards himself as a cut above most other people – he insists on wearing a shirt and tie every day – but, like most writers, he’s also barking mad and wouldn’t be able to cut his toenails without the assistance of Jeeves.

However, it actually took me an absurdly long time to come to the conclusion that everyone else had probably reached a hundred pages before. I suddenly noted that Jeeves has absolutely no interaction with anyone other than Blair, and suddenly the scales fell from my eyes and I decided that Jeeves didn’t exist. There’s actually no confirmation either way to his existence or lack thereof, so I think it’s up for grabs as to the truth. Personally I’ve settled on the side of thinking that Jeeves is an imaginative construct, used by Blair to try and get himself sorted and sober – but with very little success.

The novel’s biggest coup, however, is that despite the change in location, time and content, it still sounds remarkably like Wodehouse, which is impressive because even that man could occasionally sound like a parody of himself, and the conventions of his novels are easy targets for satire and pastiche. It’s much more graphic than Wodehouse, with a couple of very vivid sex scenes, and the language is often coarser, but on the whole you could mistake it for an alternate-universe Bertie Wooster adventure.  The metaphors and tricks with words themselves are pure Wodehouse though, and Ames has done a remarkable job. They’re funny and sharp, for example, a woman is described as having “copper, wiry hair that had a life of its own and not a very pleasant life at that”. Five times the book cover announces via reviews that it’s hilarious, and while maybe that’s a couple too many, it is funny.

In terms of plot though, very little actually happens. Blair likes to use thirty words when three will do, and his internal monologue is the key thing here. The events of the story take place over the course of a week, but quite how Blair ended up in his situation we can’t be totally sure, and the ending is just ambiguous enough for us to wonder exactly what will happen next. Interesting and engaging, and a nice update on a genre that could be mishandled.

I’m currently crowdfunding to get my second novel, The Third Wheel, published. In it, we meet Dexter who is struggling with the fact that he’s the last single friend of his group. When aliens invade, however, it puts a lot of things into perspective. The project is over a third of the way funded, and if you’d like to know more or pledge your support to the project, please click here.