“The Seven Deaths Of Evelyn Harcastle” by Stuart Turton (2018)

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“I forget everything between footsteps.”

One of the most difficult questions you can be asked as an avid reader is, “So, what’s your favourite book?” This must be the same problem faced by film buffs and music nerds – how are you meant to pick a favourite? As such, I don’t have a specific answer, but have about ten that I would pick out as examples of some of my favourites. The Seven Deaths of Evelyn Hardcastle has already taken its place among their number. How best to describe it? It’s kind of like if Quantum Leap found its way into an Agatha Christie novel, via Groundhog Day. Let me try and explain.

Blackheath is a crumbling old manor house, and tonight there is to be a party where Evelyn Hardcastle, the daughter of the hosts, will die, as she has done every day for many, many years. Our narrator, Aiden Bishop, wakes up in a body that is not his own in a large forest, with no memories of how he came to be there or what he needs to do about it now. He finds his way out of the forest and to the house, where he begins to meet other members of the household and party. After Evelyn’s death, instead of a new day breaking, the same one starts again, but this time Aiden is in a different body, while the same events play out around him.

Caught in a time loop, Aiden is doomed to live out the same day over and over again, each time in the body of a different guest. The only way to escape the loop is to solve Evelyn Hardcastle’s murder. But this is apparently not as easy as it appears when Aiden can’t change events, merely experience them from different vantages, inside a variety of hosts with very different skills and abilities. There’s also the discovery that he’s not the only one stuck in a loop like this, and he has to do his best to avoid the nefarious “footman”, who seems determined that Aiden doesn’t escape from Blackheath…

I got this book for Christmas and it naturally made its way onto the reading list, but then another friend of mine said that it was one I would love, so I raised it up the pile a little and got to it sooner than I anticipated. Originally daunted by its size and the promise of a complicated plot line, I found that neither of these were mattered. This book is the definition of a page turner, with constant twists and amazing, often beautiful, descriptions. This is an insanely good debut novel from Stuart Turton and one that has left me jealous and somewhat bereft that I’ll never be able to do better.

What a mind Turton must have to be able to weave together the timeline in such a way that we can see it play out in numerous ways and yet still be continually surprised and shocked. I was proud of myself for working out one aspect of the finale before it happened, but most of it remained out of sight, blowing my mind when it finally did all arrive. Because it’s a repeat of the same day, certain things happen out of order and we only get explanations of them in later attempts, but I don’t think there’s a single loose thread in the whole novel. I’ve also never been more grateful for a map and a list of characters in the front of the book, which I had to keep referring to for at least the first three fifths of the book, before much of it settled into my memory. Layers upon layers of mysteries and secrets surround Blackheath, and they are tied up together so neatly it feels like real magic has been achieved here.

More importantly, Turton’s grasp on the characters is phenomenal. The more bodies Aiden inhabits, the harder it becomes to remember who he is, and instead he finds himself dominated by the personalities and memories of his hosts, each one stronger than the last. Each character is fully realised and so vivid, as is Aiden’s reaction to each of them. On one day he’s inside an enormously fat man and is very aware of his own physical bulk and how the world views him. The day after, he finds himself back in a thin man and struggles to acclimatise to the sudden loss of weight. He often struggles with the morality of some of his hosts too, which is fun to see and handled so delicately that it all feels believable.

Not just one of the best books I’ve read this year, but one of the best books I’ve ever read. Do not miss out.

My second novel, The Third Wheel, is now available on Amazon and Waterstones! It tells the story of Dexter, a twenty-something teacher who is struggling with the fact that he alone among his friends is single and isn’t ready to grow up. But when aliens invade, it puts a lot of his problems into perspective. Mixing comedy, science fiction and horror, the novel promises to have something for everyone. I hope you’ll check it out!

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“Ten Little Astronauts” by Damon L. Wakes (2018)

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“Even before the alarm began to sound, Blair knew in his gut that something was wrong.”

I’m normally against remakes. I’m one of those people constantly screaming at the publishing industry and Hollywood that it needs to have some new ideas, not just keep throwing out rehashes, remakes, reimaginings, retellings, repeats … People need to take more risks. There are, of course, exceptions. Some films with literary backgrounds actually do turn out very well (see Stardust or Scott Pilgrim Vs. The World), and sometimes an author can take a classic (Hamlet) and give it a new entertaining twist (The Lion King). In Ten Little Astronauts, Damon L. Wakes takes Agatha Christie’s crown jewel, And Then There Were None, and gives it a sci fi flavour.

The U. N. Owen is a spaceship that has long departed Earth and is now hurtling through the void to a new planet for humanity to colonise with four thousand bodies preserved in suspended animation. Ten astronauts are awoken mid-journey, something that is only supposed to happen if there’s an emergency on board. It seems that something has gone wrong with the computer system. Then they find the body.

Trapped in interstellar space, trillions of miles from home and with no chance of rescue, the ten astronauts must deal with the fact that one among them is a murderer. With no way of being sure who it is, they agree that they can’t go back to sleep until they’ve worked it out. But then more of them die, and as the bodies pile up, so does the tension. They just have to hope that the little grey cells work just as well in space…

As a premise, it works wonderfully. The original novel is of course one of the finest examples of mystery writing in history, with ten people isolated on an island and killed off one by one. The “closed circle” plot is common in the murder mystery genre, and here it’s dialled up to eleven, with the characters entirely isolated from everything and everyone else. Although occasionally erratically paced, the tension ramps up perfectly and you begin to question your own thoughts, because as soon as you think you’ve worked out what’s going on, the rug is pulled from under you and things prove to not be as they seem. A stellar retelling.

The book also contains a second short story, Six Years Stolen, which is another science fiction crime story set in a future where people no longer require sleep. Some specialised police officers – known as sleeper agents – do still sleep as we do, but it renders them with better cognitive faculties and speedier reactions, meaning that sacrificing a third of their life to sleep is beneficial. The whole thing is apparently based on a pun in the term “sleeper agent”, and I applaud Wakes for managing to pull off an interesting, intelligent story around it that feels curiously believable. I enjoyed it as much as the first story.

If you want a quick, thrilling read, you could do a lot worse than picking up a copy of this clever and unusual story.

My second novel, The Third Wheel, is now available on Amazon and Waterstones! It tells the story of Dexter, a twenty-something teacher who is struggling with the fact that he alone among his friends is single and isn’t ready to grow up. But when aliens invade, it puts a lot of his problems into perspective. Mixing comedy, science fiction and horror, the novel promises to have something for everyone. I hope you’ll check it out!

“The Third Wheel” by Michael J. Ritchie (2019)

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“The room is perhaps eight feet square.”

Back in 2014, I published a novel. Now, I’ve done it again. There is no stranger feeling that seeing something you created for sale out in the world, but last time it was just an e-book. This time round, I’ve gone full paperback, and that’s truly bizarre, to be able to hold the physical copy of something that for a long time just existed in your head. This post obviously isn’t quite a review, but to keep the format, here’s what The Third Wheel is about.

Dexter is fed up. All of his friends are getting married, settling down, moving in together and growing up, and he’s being left behind with no one to hold hands with and only his ginger tom, The Great Catsby, for company. It’s not that he’s jealous of their relationships, it’s just that he thinks there’s more to life than wrapping yourself up with one other person for eternity.

But after a wedding that ends in drunken disaster, Dexter’s world – and everyone else’s, come to that – is shaken when aliens make first contact. Now faced with the prospect of imminent destruction and no practical skills whatsoever, Dexter and his friends, including sunshine optimist Ruby, science fiction geeks Jay and Kay, hard-nosed pragmatist Priti, and no-nonsense Gavin, set out on a mission to survive in this new world.

So I’m not actually going to review a book I wrote, but I’m afraid I am going to talk about it and why you should buy it for a little bit. I’m hoping that it’s something really different, as I’ve become somewhat tired of the entertainment market being saturated with remakes and retellings of the same stories. I’m not claiming that I’ve invented something brand new here – a first contact story is hardly unique – but I’ve tried to make something that doesn’t follow traditional rules. I’ve subverted the notion that science fiction always seems to have heroes who somehow possess just the right skills and knowledge.

Mostly, however, I’ve done away with the romantic subplot. This is one of my biggest bugbears about modern media – the insistence that no matter the genre or plot, there always has to be a romance somewhere in it, often detracting from the main story or simply weakening it. That was actually the original seed of the novel – a story in which a romantic subplot wasn’t possible. I confess that your opinion may vary as to whether I’ve been entirely successful in this aim, but hopefully I’ve subverted it and played with the trope enough for you to accept that this is a rare book in that respect. I’ve attempted to write about friendships, as I think truly that platonic relationships get a hard rap in fiction and we don’t get to read enough about them. Like Dexter, I don’t believe that we’re all destined to find “the one”, and I struggle with society’s insistence that we all belong in pairs. I’m a full person by myself, and so is Dexter. On the other hand, I hope that the novel doesn’t seem to be an attack on romantic relationships. I’m a fan, of course, I just don’t think they’re for everyone.

The novel is a curious blend of typically English humour and dark scenarios, but I think they mix well together and allow for a deep novel packed with emotional punches. I’ve done my best to create a large cast of unique personalities so that you find yourself rooting for everyone, but accepting that none of them are perfect. Dexter is perhaps something of an unreliable narrator, but that plays in to the theme I had of life never giving you all the answers. Yes, you almost certainly will have questions by the end about things that don’t get cleared up, but like life, it’s messy. However, if you want a few answered, read on past the acknowledgements for a few bonus chapters that fill in some of the gaps, showing scenes that occurred when Dexter wasn’t around to narrate.

If you want to pre-order the book prior to its release on January 17th 2019, you can do so at Amazon or Waterstones, and doing so will give them an indication of demand, so it would really help me if you could. It is available as both a paperback and an e-book. I really hope you enjoy it, and if you do, please let people know on social media and use the hashtag #TheThirdWheel to spread the word. If you’re not already, you can follow me on Twitter, Facebook and Instagram for more information.

Right, better get on with the next one.

“Scythe” by Neal Shusterman (2016)

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“The scythe arrived late on a cold November afternoon.”

Death is the ultimate certainty. While some scientists believe that the first person who will live to be over 150 is already alive right now, the time will come eventually. Many books, especially novels, have been written on the subject and I think despite many of us having a primal fear of death, we also have a curious fascination with it. But what if there was no more death? What would happen to the world? In this novel, Neal Shusterman explores the concept.

Once upon a time on Earth, people got sick or injured and died. But that hasn’t happened for hundreds of years, now. When the Cloud evolved into the hyper-intelligent Thunderhead, it learnt what was best for humanity and took over the running of the planet, dismantling governments and corporations and leaving people with equality, health, happiness and eternal life. For once in fiction, its motives were genuine. But there were a group of humans who decided that there still needed to be a small measure of population control in place, thus the scythes were born.

Selected at a young age for training, you can only become an apprentice scythe if you have absolutely no desire to kill, or “glean” as it’s now known. When Citra and Rowan both independently stand up to Scythe Faraday and question his methods, they are both employed as his assistants and begin to learn the art of killcraft, as well as the ins and outs of the Scythedom, the one group of people that the Thunderhead has no jurisdiction over as they act above the law. Bound to their studies, the two of them begin to learn the ways of the scythe, despite their own protests. Choosing who to glean is just the start.

But then, at a conclave of all the MidMerican scythes, attention is thrust upon them and there is some debate as to whether a scythe can take on two assistants. The choice is made – Faraday can have two assistants, but only one will gain the robe and ring of a scythe … and their first task will be to glean the other…

I was obviously curious enough about this book to make the purchase, but as someone who is somewhat wary of Young Adult fiction, I wasn’t sure whether it would turn out well or be disappointing. On the sliding scale, however, I’d pop this higher than The Hunger Games (to which is appears to be frequently compared) but maybe not quite as good as the Chaos Walking trilogy. The world is richly developed and the lore and history behind it is explained to us by the use of diary entries from various scythes, it being one of their rules that they must keep a journal. This is a world where death still happens regularly from accidents, but unless you’ve been gleaned officially by a scythe, you are taken to a reanimation centre and brought back to life. Death here is merely a hassle, not an ending, but people still fear it and crave the blessing of the scythes for immunity. The Thunderhead may have done away with politicians and crime, but corruption still exists here, as it seems to wherever there are humans. The scythes are treated as above the law, and the Thunderhead cannot interfere with them.

The concepts here are great fun, despite the darkness at the heart of the novel, and I enjoy a future where no one knows what murder is as death isn’t seen as a crime, and that because people are broadly speaking on an equal footing, there’s no need for theft and so on. Even religion has faded away in a world not obsessed with the afterlife, and instead been replaced by tonal cults, who worship sounds and smells.

The characters that inhabit this story are intriguing too, and while it’s quite obvious from the outset which way it’s going to go, there are a number of surprises along the way that kept me hooked. As I said, one of the first rules of becoming a scythe is that you must have absolutely no desire to do it, as anyone who enjoys killing would be wrong for the role. Scythes are respected and admired, as well as feared, and each has their own methods by which they glean. Interestingly, gleanings are not always bloodless and kind – you are just as likely to be beheaded, stabbed or shot than you are poisoned or drowned. Scythes must work to a quota that vaguely relates to the death rates in the Age of Mortality.

Really, I’m a sucker for great worldbuilding and Shusterman has that here in spades. The ending sets up for the rest of the series, and I’ve already put the sequel in my basket on Amazon. I look forward to returning to these characters.

Looking for something different to read in the new year? My second novel, The Third Wheel, is available to pre-order at Amazon and Waterstones now, ready for launch on January 17th. If you like tongue-in-cheek stories about aliens and failed relationships, it might just be up your alley. I hope you’ll take a look and enjoy it! Thanks!

“Four-Sided Triangle” by William F. Temple (1949)

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“The idea was too big for the mind to grasp in all its implications at the first attempt.”

Throughout history there have been numerous discoveries and inventions that have shaped and altered the path of human development in unimaginable ways. Penicillin, mechanical clocks, the wheel, x-rays, telescopes … the list is long and remarkable. There remain a good deal of things still out of the grasp of reality that belong firmly in the world of science fiction still. Interstellar space travel, time machines, universal translators, perpetual motion machines – we aren’t likely to get a grip on any of these for some time yet. Authors, however, aren’t limited by real technology, so if they want to invent a duplication machine, they can. And William F. Temple has.

Narrated by Doctor Harvey, medic to the English village of Howdean, this is the story of how the doctor’s young charge Bill and his wealthy, conservative friend Rob manage to create a Reproducer. This amazing device will revolutionise the world, giving them the ability to duplicate works of art, rare medical cures, food and anything else they choose. Every museum can have a copy of the Mona Lisa hanging in its galleries, and every hospital can now have huge amounts of cancer drugs at its disposal. Things become complicated, however, by the arrival of Lena.

Harvey has saved her from her suicide attempt and now, upon meeting Bill and Rob and learning of their amazing invention, she has found a reason to live. That reason, it becomes rapidly clear, is Rob and she wishes to marry him. And while Rob is indeed smitten with this girl, unfortunately so is Bill. After the wedding, Bill finds himself caught up in the madness of jealousy and begins tinkering with the Reproducer. Surely it wouldn’t take much more to make it clone living things. And then Bill and Rob could both have a Lena of their own, if she consented to be cloned. It’s only when she does that the problems really begin…

You may already be noting from the plot that aspects of the book have dated, not least the notion of Bill and Rob being able to share the same woman by cloning her. Fortunately, creepy though this is, it could be worse, and Lena (and, indeed, her duplicate Dot) is an early example of the manic pixie dream girl. She does, however, have to consent to being duplicated, but even here, it is her husband that has the final say. The science is also patchy, and Temple gets away with it by having Harvey explain that he doesn’t want to give away all the science, partly because he doesn’t understand it, and partly so that no one else can build a Reproducer. The book discusses the ethics of this and how in the wrong hands, someone could produce a whole army of workers or soldiers who all think and act the same way.

Much as this is a science fiction novel, most of the time the more fantastical elements are incidental. At its core, this is a story of a love triangle and how unrequited love is so painful. It’s also about memory, identity and individuality, and what right we have to reproduce not just unique items, but entire people. Temple is free to play around with the theoretical here, as it’s highly unlikely this sort of technology will ever be possible, but that’s often the joy in these kinds of stories – give people the impossible and see what they do with it. Or, rather, as is the way of humanity, see how they manage to cock it all up.

It’s a clever and interesting book, in places predictable, but also occasionally stepping away from the safety net and surprising you. It does, however, have one of the most accidentally hilarious final paragraphs I’ve ever encountered simply because it caught me off-guard, (it smacks a little of the loathed and hurried ending of Lord of the Flies) which does take the edge off somewhat. Nonetheless, it belongs in the canon and is well worth checking out if you’re a hardcore science fiction fan.

“Darwin’s Soldiers” by Ste Sharp (2018)

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“Private John Greene of the Royal Fusiliers stumbled through the dim forest with the Lewis light machine gun held tight across his chest and his khaki bags strapped across both shoulders.”

War! Huh! What is it good for? Well, interesting fiction, for one thing. The fictional world seems to be at war almost continuously, but who can blame it when it’s been created by a species that has spent much of history perfecting the art of killing its own members. Darwin’s Soliders brings together an eclectic mix of history’s fighters to create a unique and compelling new novel.

John Greene is fighting in the Great War, missing his son Joe, and wishing he wasn’t sat in a trench, stinking of rat shit, as gunfire whistles overhead. And then suddenly, he isn’t. He finds himself on a strange hill, facing a white obelisk and all around him are hundreds of others, but they aren’t the rest of his regiment. He’s here with members of every major army in human history, from Aztec to Zulu, via Viking, Spartan, Babylonian, Mongol, Celt, Amazonian, and even wars that haven’t yet happened in his timeline.

The carving on the obelisk gives them a message – this new army has fourteen days to reach the silver gates, where they will apparently achieve victory. But first they need to solve the problem of working together, as each of them has a particular set of skills. And things get more complicated as they begin their trek through this strange new world and they begin to develop unusual abilities, be they extra limbs, sonar, or telepathy. As they get deeper into this strange situation, they discover that they aren’t the first beings to have been brought here, and it isn’t just the environment that wants to kill them…

Ste Sharp, like me and my second novel, crowdfunded this book via Unbound, but it’s publication was an inevitability, as someone would’ve picked it up eventually. The concept alone is amazing and while I’m not generally someone who reads much about war, I was curious as to how this would play out. It’s like one of those idle Internet questions – “Who would win in a fight between a Viking and a Roman?” – but played out for real. The literal evolution of the characters to gain new abilities that help them in warfare is also useful, and Sharp clearly enjoyed giving everyone superpowers. They are also explained away quite nicely, such as one character’s new ability to see sonar being due to a growth in his sinus cavity.

The amount of research in this book is absolutely staggering. While Sharp includes some of his own creations, such as soldiers from the future, mushrooms that allow for communication between races, and a Celtic tribe that didn’t exist, and, of course, all the aliens, much of the information is factually correct as he has studied the methods and weaponry of everyone from the Japanese samurai to the explosives experts of World War Two. This all brings the novel to life and drags you deeper inside it. The other races he’s created too are all superbly rich in their description, and none of them are just humanoid rip-offs of our species, but instead run the gauntlet from cat-people and robots to indescribable lobster-like beasts with too many eyes and claws and not enough empathy.

The pacing is unstoppable and even from the opening, there’s no farting about and we’re immediately on that hill, surrounded by soldiers, sharing in their confusion. Much of the rest of the novel centres around combat and there are few books more action-packed than this. It’s a hefty tome, but entertaining, never particularly dragging. It ends on a neat note that sets up the promised sequel – and I for one already can’t wait to get my hands on it.

“Galapagos” by Kurt Vonnegut (1985)

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“The thing was: One million years ago, back in A.D. 1986, Guayaquil was the chief seaport of the little South American democracy of Ecuador, whose capital was Quito, high in the Andes Mountains.”

Earlier this year, I made my way via book to the remote Falkland Islands. This time, I’ve schlepped across South America and disembarked on the Galapagos islands the other side. With Kurt Vonnegut as my guide, I should’ve realised that this was going to be odd, but it’s been a while since I’ve read him, and I’d forgotten just quite how strange he is.

Narrated by a ghost (who happens to be the son of Vonnegut’s recurring science fiction author Kilgore Trout), Galapagos spans the eons, taking in both the year 1986 when the economy crumbled and the world as we know it ended, and a million years later – the book’s present – where the only surviving humans live on the Galapagos Islands and have evolved to suit their new habitat. The new humans are descended from the tourists aboard the “Nature Cruise of the Century”, a planned tour to the islands that Darwin made famous that never quite lived up to expectations.

While the ship was originally planning to have such illustrious passengers as Jackie Onassis and Rudolf Nureyev, in the end there were just eleven people on board, including the captain, a retired schoolteacher, a con artist, a pregnant Japanese woman, a blind woman reliant on her father, and the last six members of the Ecuadorian Kanka-Bono tribe. The only other thing that survived the end of the world was Mandarax, a tiny marvel of electronics that can translate almost any language, recite thousands of literary quotes, and diagnose over a thousand diseases. As the humans evolve and adapt to their new way of life, the old ways of humanity with their society of big brains quickly fades into history, and the question is raised – are things better for it?

Vonnegut is of course one of the most wonderful writers of the last century, but as mad as a box of mushrooms. He’s on good form here, with a slightly daft premise that manages to bring up all the big topics regarding humanity and our dangerous brains. The non-linear structure works well and with the narrator existing a million years beyond most of the action, it allows him to give us the salient facts in the order he sees fit. When a character is due to die soon, they gain an asterisk before their name. At first this is sign-posted, but eventually it just happens without mention and you realise that another one is on their way out in the next few chapters.

Some of the activity is naturally far-fetched, such as the methods of artificial insemination used on the island, the speed of evolution (although arguably it is sped up thanks to nuclear fallout), the appearance of ghosts and the “blue tunnel” that leads to the afterlife, and the sheer number of rare and unusual illnesses contained inside the few survivors, but because it’s Vonnegut it still works. While he’s somewhat vague about what exactly happens to humanity in its isolation – aside from revealing that our descendants have small brains, flippers and fur – he spends a lot of time pointing out the insanity of our modern world and the damage our big brains have done to the planet and to one another. Vonnegut goes to far to state that all the problems of humanity were caused by “the only true villain in my story: the oversized human brain”. When natural selection decides that a slim, streamlined head is more use than an oversized cranium, the brain begins to shrink and humanity returns to the water.

Vonnegut also makes a big deal about the inter-connectivity of things. The smallest things have the biggest impacts on the future, with the narrator pointing out that had something trivial not happened, then the fate of the human race would have probably been entirely different. These can be anything from someone have a specific gene, or a mentally unstable soldier breaking into a particular shop. Everything is linked – so it goes.

An interesting and somewhat creepy look at an unlikely – but nevertheless potential – future of the planet.

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