“It had been a particularly savage winter in the county of Sutherland at the very north of Scotland.”

For the fourth time this year, I return to the village of Lochdubh. In the real world, life in small villages in remote corners of the country is quiet and peaceful, where the most exciting thing to happen is the annual village fete. Fiction, however, has a different idea about villages and, like St Mary Mead and Midsomer before it, Lochdubh turns out to be quite a haven for murderers.

Artist Effie Garrard moved into the village when the weather was good, but the locals didn’t expect her to stay around once she learnt how harsh Highland winters were. When everything thaws, however, not only is PC Hamish Macbeth surprised to see that she’s still there – but not without having spent some of the winter in Brighton – but she seems determined to stay. Regarded as a talented artist, she becomes affronted when another painter, Jock Fleming, moves to the village as well. She cools towards him, however, and finds herself in love with him. Indeed, she’s so certain that this is the man of her dreams that she begins to imagine they’re in love already, and he’s even proposed to her.

Effie’s infatuation and delirious visions cause problems, however when Jock’s ex-wife Dora turns up, followed by his agent Betty. By now, the whole village knows that Effie’s story about her engagement and pregnancy are completely fabricated, and so it is Jock who is the prime suspect when Effie’s body is found in the hills. She had been drinking from a bottle of antifreeze-tainted wine and died of a combination of poison and exposure. As Hamish Macbeth begins to suss out who had the strongest motive to get her out of the way, more secrets and another body emerge, and it seems that these newcomers are all causing trouble. Hamish is also struggling with the fact that two of his ex-girlfriends are back in the village, and one of the suspects in the murder case seems to have her sights set on him too.

Often in these books, there is a very limited number of suspects and it sometimes feels like the solution has been pulled out of thin air. The trouble with setting a murder mystery series in a small village means that the locals reoccur each time and therefore by their very nature are unlikely to be suspected of anything. One must wonder, though, if they get annoyed by Hamish questioning them every six months. Here, though, Beaton has provided us with a good number of new people to suspect, and it works much better. Even more staggeringly, I actually got the solution right!

The other thing I find to be a recurring issue in these books is that inclusion of smaller crimes and tiny subplots that get solved in the space of three pages. Beaton is clearly full of ideas, and in many ways it builds up the world by showing Hamish and the villagers have other things to deal with other than just the central crime, but sometimes these smaller vignettes can detract from the main story and feels a bit like padding. Nonetheless, like I said, they bring the world to life.

Another darkly funny and interesting novel from Beaton showing how dangerous our fantasies can be.

My second novel, The Third Wheel, is now available on Amazon and Waterstones! It tells the story of Dexter, a twenty-something teacher who is struggling with the fact that he alone among his friends is single and isn’t ready to grow up. But when aliens invade, it puts a lot of his problems into perspective. Mixing comedy, science fiction and horror, the novel promises to have something for everyone. I hope you’ll take a look!