Fate has a lot to answer for.

Fate has a lot to answer for.

“The summer heat creates a shimmering haze, through which Venice appears like a Canaletto brought to life.”

The two themes that run through all fiction are, of course, love and death. Eros and Thanatos seem to control all the drama of literature, and indeed in the real world too. You find me a story that doesn’t concern itself with one or the other (or both) and I’ll eat my hat, providing I’m wearing my bacon hat. “Chick lit”, a term I discussed last month, usually brings great helpings of love to the table, although usually spends the meal complaining about cellulite and that they really shouldn’t have another scoop but go on then, as it’s a Friday and the diet starts tomorrow.

I’ve read Alexandra Potter before and I enjoy her slight twist on traditionally romantic fare. I bought this one for a friend’s birthday and it was proclaimed to be very good, so I borrowed it back off her. The thing with Potter is that while her characters are very much cut from the same cloth as every other protagonist in this sort of fiction, she adds a dash of the supernatural to her stories. For example, in Who’s That Girl? the heroine accidentally travels back in time and meets her younger self; in Be Careful What You Wish For, she finds everything she wishes for coming true. This time around, we’re dealing with folk legends and what happens when they come true.

The story begins in Venice in 1999 where teenagers Lucy and Nate have met and are rapidly falling in love. They hear a rumour from a street vendor that if they kiss under the Bridge of Sighs, they will never be parted and they will stay together for eternity. Deciding to give it a go – young love being what it is – they follow it through and then laugh it off as a silly superstition. They part ways at the end of their holiday and she returns to Manchester while he goes back to America.

Ten years later, they have entirely lost contact after the relationship soured, but now Lucy has just moved to New York to work for an art gallery. Her sister Kate is already a successful lawyer in the city, and Lucy moves in with new age hippie Robyn, a woman who casts spells, thinks tie-dye is the height of fashion and has been told by a psychic that her soulmate is called Harold. Then one day and quite out of the blue, Lucy bumps into Nate again. They rekindle their relationship when he admits that losing her was the biggest mistake of his life and soon they’re back to acting like lovesick teenagers.

But in the intervening decade, they discover that they’ve both changed, and not necessarily into someone that the other one likes. Lucy lives off junk food and loves spending time in art galleries. Nate is a wealthy TV producer who spends every waking minute on the phone and no longer has time for carbs or coffee. After a massive row, they break up again when it turns out that you can’t just pick up where you left off. But the legend of the Bridge of Sighs is apparently more powerful than either of them realised and suddenly they’re bumping into each other all over the city, as if the universe is determined to keep them together, just like it originally promised.

All of which makes it a bit awkward given that Lucy has just met Adam, and he might actually be a far better option than Nate ever was…

So there are clichés stacked up here by the crate – love at first sight, a creative protagonist who worries about her body, a love triangle, the sensible sister who is the polar opposite to the ditzy heroine – but it’s also quite refreshing. Not only is Potter genuinely quite a funny writer, this is a hugely interesting twist on the idea that we don’t always know what we really want for ourselves. We’ve all seen stories where people are told they’ll be together forever, and then have to fight the obstacles in the way, but this shows what happens when the people stop wanting to be together. The blessing becomes a curse and soon life becomes unbearable. After all, how would you feel if every time you got into a taxi, sat down in a restaurant or stepped into a shop, your ex was already there?

The secondary characters seem more developed than Lucy, but that’s because we’ve seen her type before. She’s an artist who is very good but had to give it all up. She’s clumsy, weak-willed when it comes to food, always late, and desperately seeking out The One. Nonetheless, I enjoyed the book a lot simply because it takes an old idea and turns it upside down. Sometimes you don’t need a hugely different story (although it is nice). You just need to take a classic and shake it up a little.

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