only when“I used to enjoy sitting inside my parents’ wardrobe.”

Comedy has always been a pretty big part of my life. Not in the sense that I want to be a comedian (you have to be funny for that, and I’m not), but in the sense that I love comedy of all kinds, be it highbrow, slapstick or satirical. Therefore, reading about the lives of comedians is something that interests me but, if you’ve been sticking around this blog for a while, you’ll know that that doesn’t always go to plan. Julie Walters wrote an excellent autobiography. So did Dawn French. Simon Pegg, not so much. It was therefore with more than a little trepidation that I approached Paul Merton’s memoirs. I really like Paul’s style, and I wanted to really like the book. I hoped it was a good one.

It begins, as these things are wont to do, with his childhood, growing up with his parents, grandfather, and younger sister in south London. He was a shy child but upon going to the circus one day and discovering the clowns, he knew that all he wanted to do was get on the stage and make people laugh.

The book slides through his school days (genuinely quite hilarious) and then into him stepping naively into the real world and living in a small bedsit, determined to get onto stage or screen but not knowing how. He and his friend John write endless sketches and scripts, but his chance finally comes when a comedy club, The Comedy Store, opens in London. He arranges to do a five minute set for them, and his policeman on acid sketch goes down a treat. Soon he’s performing all the time, then heading to Edinburgh to perform in the festival, and before long television comes calling and he finds himself on camera as he goes from success to success with his own sketch show, Whose Line Is It Anyway? and, of course, Have I Got News For You.

But it’s not all happy and ha-ha, as Merton discusses his time spent in a psychiatric hospital with refreshing honesty. They are some of the best chapters, as we see him struggling to come to terms with who he is and what has happened to him. He may not dwell on events (at one point, he thought he was being hunted down by the Freemasons), he doesn’t gloss over them either. They are a block of tragedy in an otherwise comedic life.

Merton deals with all three of his marriages here, and there’s not a bad word to be said about his first to Caroline Quentin, the only one that ended in divorce. (His second wife died, and he’s still married to the third.) He seems to be a genuinely sweet man, and despite making a living making people laugh, he appears to be rather shy. There are some odd nuggets to be discovered about him in here too that I would never have guessed, including the fact that he hand writes all his material and has never learnt to type, and also doesn’t own a mobile phone.

Unlike many of these memoirs, his early life was not littered with meetings of the great and good, although they do come later. He meets a bunch of well-known comedians at The Comedy Store, and later has run-ins with such greats as Peter Cook and Eric Idle. He has been close friends with Julian Clary for a long time, something I never knew, but otherwise his life seems remarkably un-celebrity-like.

Best of all, because I am a nosy bastard for wanting to know what’s going on in the world of show business, he spends a good portion of time talking about Have I Got News For You, giving some detail on Angus’s departure, and also talking about some of the best and worst guests they’ve had on the show, even going so far as to note the worst presenter they’ve ever had. (It’s one I have to agree with, actually – the episode was appalling.) It also comes across that he and Ian Hislop do genuinely like one another, which is a blessed relief.

Merton writes with charm and warmth, although unusually for an autobiography, I never once heard his voice telling me the story. I think that might be because we never seem to hear him speak at length anywhere. That’s not a complaint either. He’s clearly a man who likes to perform, but also likes his private life. He says at one point that he never likes to do things that involve him being a celebrity to be gawked at, and I think that’s a very good line to take.

Merton has produced a hugely interesting autobiography and his highs and lows should be of interest to anyone who he’s ever made laugh – and surely that’s everyone?

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