He'd do anything.

He’d do anything.

“The rain poured down on London so hard that it seemed that it was a dancing spray, every raindrop contending with its fellow for supremecy in the air and waiting to splash down.”

Last year I wrote a somewhat scathing review of Pratchett’s The Colour of Magic, bidding the Discworld canon adieu as I did so. However, not so long after this statement, this novel found its way onto my shelves and there it has sat for the best part of a year as I worked up the courage to return to Pratchett. However, this not being a Discworld novel, I hoped that maybe I would have better luck with it than previous experiences with him.

This is the story of Dodger, a tosher in Victorian London who knows everyone but manages to keep on the right side of the law by living up to his name. However, one night during a torrential storm, he comes across a young woman being beaten by two men. Dodger is not without heart and takes it upon himself to rid the girl of these men, thrashing them senseless. Later, Dodger and the girl are rescued by two other men who take them to a place of safety.

It then turns out that this girl is not just any girl. Although she refuses to give her name, it quickly becomes evident that she is of aristocratic and foreign stock. Dodger learns that their saviours are none other than Henry Mayhew and Charles Dickens, the latter of whom wants Dodger to put his skills to the test and find out who it was beating up the girl (known as Simplicity) and to perhaps put a stop to them. Accompanied by his Jewish landlord Solomon and his stinky dog Onan, and with the luck of the Lady of the Sewers on his side, Dodger begins an adventure that sees his name become more and more common around the city. And when he is recorded as having done battle with cut-throat demon Sweeney Todd, it suddenly seems that everyone is after Dodger.

OK, so first things first, I enjoyed this much better than my previous visits to the Discworld. Although the tone and style is still unmistakably Pratchett (which in itself is not a bad thing), it requires far less world-building meaning that one can get stuck right into the story and spend more time with the characters and the action. It’s almost like a Who’s Who of Victorian London at the time, featuring not only the aforementioned Dickens and Mayhew, but also founder of the police force Robert Peel, up-and-coming politician Benjamin Disraeli, cartoonist John Tenniel, and millionaire philanthropist Angela Burdett-Coutts, among others.

There is the obvious assumption, also, that Dickens eventually takes Dodger’s character and immortalises him on the pages of Oliver Twist, and while I was half expecting the titular orphan or Nancy to turn up, neither did, although Solomon Cohen is the very basic blueprint for Fagin. As mentioned, the only other fictional character present is Sweeney Todd, presented in a very different light than we are used to. The book is peppered however with references to Dickens’ work, such as people using his titles in passing. Dickens is never slow in making a note of what he sees as a good idea for a future novel.

Victorian London was a ghastly place, and the book highlights that, spending much of its time in the sewers, and many more pages in the slums of the East End. The divide between the rich and the poor is never far from the text though, as Dodger is sucked into the world of the upper-class, donning a suit and his now infamous stovepipe hat in order to pass as a gentleman. It’s a book about battling the odds and surviving no matter the cost, but also about the “fog of truth”, that is to say that everyone sees things slightly differently, and it is up to journalists, historians and other individuals to decide on what they think is the truth or not, plucking the salient points in their preferred order from the mist of ideas.

Pitched as a young adult book, I don’t necessarily feel that that’s exclusively the case, and it certainly reads for an older audience, using Pratchett’s typically verbose style. Outdated concepts and other Victoriana are discussed in footnotes and the acknowledgements, and there’s a wonderful “bonus scene” at the end if one keeps on reading, like a deleted scene on a DVD. I’ve always had rather a fondness for the Artful Dodger, and this sort-of-retelling of his life is a fascinating, funny and charming read.

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